Sunday 29th November at 4:00 pm: the Italian documentary “Che fine hanno fatto i sogni?” by Patrizia Fregonese de Filippo (Italian premiere) opens the third day of the festival. What do young people dream of? Over 50 years after Martin Luther King proclaimed: “I have a dream”, what has changed? From the collective dream, the struggles for human rights, when everything seemed possible, to the most unbridled individualism.
Then, in collaboration with CNA Cinema Audiovisivo, Cinema d’IDEA and Kalabrone Film, a focus on the future of Italian cinema after Covid-19 with the same title will be presented: “Che fine hanno fatto i sogni?”. The Focus intends to put a spotlight on Cinema in this moment of economic and artistic suffering: producers, artists, but above all the independents. Cinema is the factory of dreams, but also an important part of our country’s PIL (GDP). In which direction are we going?
The panel will be attended by Liliana Cavani (director and screenwriter), Gianluca Curti (Minerva Pictures and President of CNA Cinema), Massimiliano Fuksas (architect, co-founder of Studio Fuksas), Francesco Martinotti (director and President of Anac), Marina Marzotto (producer and President Agici; Propaganda Italia), Mario Perchiazzi (President of CNA Cinema and Audiovisivo Rome), and Vincenzo Vita (journalist and President of the AAMOD Foundation).
At 7:00 pm the Italian documentary “Cinematti – Una storia folle” by Giacomo R. Bartocci, Italian premiere.
At 8:20 pm for the Feature Film competition “Time for Love” by Miguel J. Vèlez (Poland), European premiere: one moment is enough to fall in love. Mikołaj Lis, without a ticket, jumps on a train fascinated by a mysterious stranger. But “tickets are sacred” to the crude train conductor Nowak, who will do everything to ensure that the cheaters pay the right consequences.
At 10:00 pm, the daily program will close with new Italian short films in competition: “La Settimana” by Cristina Puccinelli, “Inglorious League” by Angelo Pace, “Notebook” by Mattia Fiumani, “On Silent” by Gabriele Paoli and “La guerra dentro” by Gianni Dettori.
