He was born in Castellammare di Stabia. From a very early age, he has interested in puppetry. His passion for visual and representational arts has never left him and afer graduating, he decided to move to Rome and undertake cinema studies by registering on Dams.
His passion for puppetry and, especially, for the Neapolitan tradition of the Guarattelle, found expression in his dissertation, dedicated to Bruno Leone, “guarattellaro” at which he worked for almost a year. Shortly, however, the desire to make films made itself felt again and the first opportunities to tread the first sets as assistant director began to appear (La Pecora Nera by Ascanio Celestini, Cavalli by Michele Rho).
The casting job came almost by chance, but from then on it would become the high road. Alongside with his first experiences as casting assistant, he already signed La mia Classe by Daniele Gaglianone and Viva la Sposa by Ascanio Celestini. Then, the meeting with Valerio Mastandrea became decisive for what was one of his richest human and professional experiences of his journey so far, which is Non essere cattivo by Claudio Caligari.
Subsequently, the arrival in Gomorra la Serie, which run from the third season to the final fifth, without forgetting the further significant meetings and collaborations, such as Vincenzo Alfieri, D’Innocenzo brothers, Marco D’Amore, Claudio Cupellini and Stefano Lodovichi.
2020 was a lucky year because he won the Nastro D’Argento Award as Best Casting Director for the film L’Immortale by Marco D’Amore and the Umbria Film Festival Award for the film Favolacce by D’Innocenzo brothers. In 2021, he signed films presented at the Venice Film Festival, such as America Latina by D’Innocenzo brothers, a film included in the official competition programme, Lovely Boy by Francesco Lettieri, presented at the Venice Days and Margini by Niccolò Falsetti, presented at the Critics’ Week.
In 2022, he signed the casting for the film L’Immensità by Emanuele Crialese, in competition at the Venice Film Festival and he kept collaborating with D’Innocenzo brothers (TV series Dostoevskij , to be released in 2024), Marco D’Amore (film Caracas, to be released in 2024) as well as maintaining strong links with first-time authors like for Patagonia by Simone Bozzelli, in competition at the 2023 Locarno Film Festival.