{"id":41080,"date":"2022-11-26T11:10:22","date_gmt":"2022-11-26T10:10:22","guid":{"rendered":"https:\/\/riff.it\/?p=41080"},"modified":"2022-11-26T14:48:47","modified_gmt":"2022-11-26T13:48:47","slug":"riff-in-its-21st-edition-announces-award-winners-best-international-film-alice-by-krystin-ver-linden-best-italian-film-is-un-mondo-fantastico-by-michele-rovini","status":"publish","type":"post","link":"https:\/\/riff.it\/en\/riff-in-its-21st-edition-announces-award-winners-best-international-film-alice-by-krystin-ver-linden-best-italian-film-is-un-mondo-fantastico-by-michele-rovini\/","title":{"rendered":"RIFF in its 21st edition announces award winners: Best International Film \u201cAlice\u201d by Krystin Ver Linden, Best Italian Film is \u201cUn mondo fantastico\u201d by Michele Rovini"},"content":{"rendered":"\n<p><strong><em>RIFF &#8211; Rome Independent Film Festival\u00a0<\/em><\/strong><strong><em>\u00a0<\/em><\/strong><strong>in its <em>21<sup>st<\/sup> edition announces award winners<\/em><\/strong><\/p>\n\n<p><strong>Best Italian Film is \u201c<em>Un mondo fantastico<\/em>\u201d by Michele Rovini<\/strong><\/p>\n\n<p><strong>Best International Film \u201c<em>Alice<\/em>\u201d by Krystin Ver Linden<\/strong><\/p>\n\n<p><strong>Best Italian Documentary \u201c<em>Il paese delle persone integre<\/em>\u201d\u00a0<\/strong><\/p>\n\n<p><strong>by Christian Carmosino Mereu<\/strong><\/p>\n\n<p><strong>Best International Documentary \u201c<em>Moruroa Papa<\/em>\u201d by Paul Manate Raoux<\/strong><\/p>\n\n<p><strong>Best Italian Short Film is \u201c<em>Super Jesus<\/em>\u201d by Vito Palumbo<\/strong><\/p>\n\n<p><strong>and Best International Short Film \u201c<em>Adriana In Oblivion<\/em>\u201d by Elena Piquer<\/strong><\/p>\n\n<p><strong><em>RIFF &#8211; Rome Independent Film Festival <\/em><\/strong><strong>in its 21<sup>st<\/sup> edition, <\/strong>directed by <strong>Fabrizio Ferrari<\/strong>, announces award winners. <strong>85 works were screened in competition, coming from <\/strong>several countries as <strong>Italy, Germany, Poland, Spain, Portugal, Brazil, USA, <\/strong>among films, short films and documentaries, in order to represent the independent contemporary cinema: <strong>15 world-premieres<\/strong>, <strong>10<\/strong> <strong>European-premieres<\/strong> and <strong>50<\/strong> <strong>Italian-premieres <\/strong>and a rich programme of side events, meetings and masterclasses.<\/p>\n\n<p>The competition&#8217;s sections are: <strong><em>Feature film, International documentary, National documentary, International short film, Italian short film, Animation short film, Student short film<\/em><\/strong> and the sections for <strong>screenplays and storylines<\/strong>. The jury required to judge the finalists is composed by: <strong>Domenico Centamore<\/strong>, <strong>Filippo Luna <\/strong>and<strong> Lorenzo Gioielli<\/strong>, the executive producer <strong>Ilaria Zazzaro<\/strong>, the Ukrainian film critic <strong>Nadia Zavarova, <\/strong>the cinematographer<strong> Federico Annicchiarico <\/strong>and <strong>Adriana Bruno<\/strong> by Noeltan Film.<\/p>\n\n<p><strong>Best International Film<\/strong> is <strong><em>Alice<\/em> <\/strong>by Krystin Ver Linden. \u201cA very original story, shot with great skill; a beautiful photography that perfectly depicts people and places, always\u00a0 at the director&#8217;s disposal. A &#8220;pulp&#8221; style combined with a cruel tale, but still told with extreme sensitivity, and&#8230; what a soundtrack!!!\u201d<\/p>\n\n<p><strong>The Award for Best Italian Film<\/strong> goes to <strong><em>Un Mondo Fantastico<\/em><\/strong> by Michele Rovini. \u201cA good example of independent cinema, the one made without <em>an overly technical approach<\/em>. The perfect example of an interesting storyline, no matter how told. Graziano and Igor bring us to a light-hearted world, similar to the one of <em>I Vitelloni<\/em> by Fellini. They are complete opposites, even though very similar. Michele Rovini chooses summer as a setting and he does a good job, because the sweat on the characters&#8217; forehead, as well as Graziano&#8217; sandals, give us a sense of intimacy that <em>decreases the distance<\/em> between the spectator and the screen\u201d.<\/p>\n\n<p>A <strong>special mention<\/strong> goes to <strong><em>Corsa abusiva<\/em><\/strong> by <strong>Andrea Bifulco <\/strong>\u201cfor making such a <em>daring and dashing<\/em> first work in its deceptive simplicity, with a non-trivial look on Naples which never has an <em>iconographic <\/em>dimension, but is extremely alive and desperate. A political film in the highest sense of the word, supported by a millimetric screenplay and enriched by very essential and perfect interpretations, casting a superb Gennaro Maresca in his inevitable descent into hell\u201d.<\/p>\n\n<p>Un <strong>Premio Speciale<\/strong> al Miglior Produttore Indipendente va ad <strong>Alessandro Gatto<\/strong> per <strong><em>Troppa Famiglia<\/em><\/strong> di Pierluigi di Lallo.<\/p>\n\n<p><strong>Best Actress: Sveva Alviti <\/strong>for her role as Lea in <strong><em>Tra le onde<\/em> <\/strong>by Marco Amenta.<\/p>\n\n<p><strong>The Award for Best Italian Documentary<\/strong> goes to <strong><em>Il Paese delle Persone Integre<\/em> <\/strong>by Christian Carmosino Mereu \u201cfor its capacity and courage to give voice to the last ones, to those who, generally, can&#8217;t or shouldn&#8217;t talk. This is the strength of the film: showing what the mainstream media often hide. A stream of consciousness that unfolds in the director&#8217;s diary through a high sense of ethics of images and facts, shared with the audience along with the four characters and their hope that their own Country may soon become truly free and fair&#8221;.<\/p>\n\n<p>Special mention to <strong><em>Come Una Vera Coppia <\/em><\/strong>by Christian Angeli \u201cfor the sensitivity the director stages intimacy and incomprehensions, enthusiasm for a possible future and pondered disillusionment, lightness and a sense of responsibility of six young couples. For its capacity to face \u2018diversity\u2019 with great tenderness and respect and to deal with a subject that unites us all: trying to live our own existence and affections cutting the <em>umbilical cord, sometimes too bulky, with family<\/em>&#8220;.<\/p>\n\n<p><strong>The Award for Best International Documentary<\/strong>: <strong><em>Moruroa Papa<\/em> <\/strong>by Paul Manate Raoux \u201cfor its intimate and unpredictable story that the director gives back to the audience through his camera. A film about a father who comes closer and reveals himself to his son, who struggles to understand his parent&#8217;s reasons. A film about inheritance and memory, parent-child relationship and transmission, with an interesting usage of repertory and <em>family archive<\/em> images&#8221;.<\/p>\n\n<p>Special mention to <strong><em>Vento Na Fronteira<\/em> <\/strong>(The wind blows the border) by Laura Faerman and Marina Weis &#8220;for the clearness the two directors talk about an ancient theme, that is lost in the night of time, and concerns us all, regardless of the nationality and the colour of the skin: the right of a community to look after the lands of its ancestors. On the other side, the reasons of power and speculation. An important message the directors send: <em>persevering with faith<\/em> in the ancestors&#8217; spiritual strength and the elements of Nature&#8221;.<\/p>\n\n<p><strong>The Award for Best Italian Short Film<\/strong> goes to <strong><em>Super Jesus<\/em><\/strong> by <strong>Vito Palumbo<\/strong>. Miracles exist only in fairytales, according to Vito Palumbo, the film&#8217;s director. <em>This is clearly not the case: <\/em>miracles exist on the Earth; we carry them out when we believe, we love, we are able to put ourselves in the shoes of others&#8217; suffering. The encounter between Ugo, who is hopeless and thinks that a revolution is possible only by leaving, and Carlo, a very sick child, creates a deep improvement in Ugo, who eventually finds his faith. These days stories like this one are needed, stories that inspire, use as a model and tell that the faith of men can make a difference.<\/p>\n\n<p>The Jury special mention goes to <strong><em>68.415<\/em><\/strong> by Antonella Sabatino and Stefano Blasi \u201cfor its theme: Will plastic become the food of the future? The <em>doom and gloom prediction<\/em> becomes reality within the film. The message is powerful and makes us reflect on our lifestyle and the little we do for our planet\u201d.<\/p>\n\n<p><strong>The Rai Cinema Channel Prize<\/strong>, worth \u20ac 3.000, consists of a purchase contract of the short film&#8217;s web and free tv rights on behalf of Rai Cinema Channel. It will benefit visibility on www.raicinemachannel.it, on its partners websites and, at the <em>discretion <\/em>of the authority r<em>esponsible for<\/em> the networks, on RAI channels. The Prize goes to <strong><em>Letizia <\/em><\/strong>by<strong> Francesco Manzato. <\/strong><strong>\u201c<\/strong>The <em>film leaks a strong sense of reality and encourages the audience to empathize with the well-directed characters by a lean and definite directing hand, ready to go\u00a0further\u201c<\/em>.<\/p>\n\n<p><strong>The Award for Best International Short Film<\/strong> is <strong><em>Adriana In Oblivion<\/em> <\/strong>by Elena Piquer \u201cfor the simplicity and irony the director deals with the author&#8217;s creative process, who\u00a0 invents and writes the storyline. A Complicated and personal process\u201d.<\/p>\n\n<p><em><strong>For Best Short Film for the Schools of <\/strong><\/em><strong>Cinema: <em>Fatjona <\/em><\/strong>by <strong>Steve Bache<\/strong> (Germany).<\/p>\n\n<p><em><strong>The Award for Best Animated Short Film<\/strong><\/em> goes to <strong><em>Think Something Nice<\/em><\/strong> by <strong>Claudius Gentinetta<\/strong> (Swizzerland).<\/p>\n\n<p><em><strong>The Award for Best Screenplay<\/strong><\/em> goes to <strong><em>L\u2019ultimo Lenzuolo Bianco<\/em><\/strong> by Gisella Orsini, Alessandro Ruzzi and Gennaro Capasso.<\/p>\n\n<p><em><strong>For Best Short Film Screenplay: <\/strong><\/em><strong><em>Dieci Secondi<\/em><\/strong> by Roberta Palmieri.<\/p>\n\n<p><em><strong>The Award for Best Subject for a Feature Film<\/strong><\/em> goes to <strong><em>Piccole Parti<\/em><\/strong> by Riccardo Basso.<\/p>\n\n<p class=\"has-text-align-center\"><p style=\"text-align: center;\">RIFF &#8211; Rome Independent Film Festival, is organized with the contribution and patronage of the Directorate General Cinema \u2013 Ministry of Heritage and Cultural Activities, of the Department of Culture and Youth Policies of the Lazio Region. The project, promoted by Roma Capitale- Department for Cultural Growth, won the Public Notice Contemporaneamente Roma 2020 \u2013 2021 -2022, curated by the Department of Cultural Activities and realized in collaboration with\u00a0 SIAE.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RIFF &#8211; Rome Independent Film Festival\u00a0\u00a0in its 21st edition announces award winners Best Italian Film is \u201cUn mondo fantastico\u201d by Michele Rovini Best International Film \u201cAlice\u201d by Krystin Ver Linden Best Italian Documentary \u201cIl paese delle persone integre\u201d\u00a0 by Christian Carmosino Mereu Best International Documentary&#8230;<\/p>\n","protected":false},"author":8,"featured_media":41089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[161],"tags":[192],"class_list":["post-41080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-riff-festival-festa-di-roma-roma-film-fest-med-film-fest-berlinale-cannes-cinecitta-cinema-festival-international-opera-prima-riff-roma-sundance-tiff-toronto"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - 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