Photojournalism today and the photojournalists\u2019 bond with their stories<\/p> \n
The masterclass is aimed at all reportage photography enthusiasts and at those who want to get a closer look at the work of the photojournalist.<\/p> \n
\u00a0<\/p> \n
\u201cI have always thought that the major effort, but also the strength of photography, lies in the ability to balance one’s feelings with reality. And only by doing so, by measuring one’s deep emotions in an actual context, is one able to tell a story. Only when I can touch what I feel, I snap.\u201d V.B.<\/p> \n
What does it mean to be a photojournalist today? How has the idea of \u200b\u200bphotography changed in recent decades? How much does aesthetics prevail over the story in contemporary reportage? How do you get deep into a story? What does it mean to work for ten years on a project? How do you define the interior journey that leads to the creation of a great reportage?<\/p> \n
These are some of the themes that Valerio Bispuri will address in his masterclass on photojournalism. Starting from a theoretical reflection, and retracing the basic concepts for a story\u2019s construction, the journalist will show how much photography can be not only a means of personal expression but also a tool for captioning and representing reality. This lecture will be based on the direct account of Valerio Bispuri’s experience, on the analysis of his works and on the dialogue with the attendees.<\/p> \n
The masterclass will be two hours long, during which photographs and small documentaries will also be screened.\u00a0<\/p><\/p>\n\n
“Ho sempre pensato che la difficolt\u00e0, ma anche la forza della fotografia, sia nella capacit\u00e0 di bilanciare il proprio sentire con la realt\u00e0. E solo riuscendo a calibrare le proprie emozioni profonde in un concetto reale senza che una prevalga sull\u2019altra si arriva a poter raccontare una storia. Solo nel momento in cui riesco a toccare quello che sento, scatto.” V.B.<\/p>\n\n
Cosa vuol dire essere un fotoreporter oggi. Come \u00e8 cambiata l\u2019idea di fotografia negli ultimi decenni. Quanto l\u2019estetica prevale sul racconto della realt\u00e0 nel reportage contemporaneo. Come si entra in profondit\u00e0 in una storia. Cosa vuol dire lavorare per dieci anni ad un progetto. Come si definisce l\u2019itinerario interiore che porta a realizzare un grande reportage.<\/p>\n\n
Sono questi alcuni dei temi che Valerio Bispuri affronter\u00e0 nella sua masterclass sul reportage. A partire da una riflessione teorica, ripercorrendo i concetti fondamentali per la costruzione di una storia, l\u2019autore mostrer\u00e0 quanto la fotografia possa essere allo stesso tempo mezzo di espressione personale e strumento di racconto della realt\u00e0. Questo percorso sar\u00e0 fondato sul racconto diretto dell\u2019esperienza di Valerio Bispuri, sull\u2019analisi dei suoi lavori e sullo scambio di impressioni con i partecipanti.<\/p>\n\n
La masterclass ha la durata di due ore nelle quali oltre al racconto da parte dell\u2019autore saranno proiettate fotografie e piccoli documentari.<\/p>\n\n
Photojournalism today and the photojournalists\u2019 bond with their stories The masterclass is aimed at all reportage photography enthusiasts and at those who want to get a closer look at the work of the photojournalist. \u00a0 \u201cI have always thought that the major…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[275],"tags":[239,194],"class_list":["post-27438","post","type-post","status-publish","format-standard","hentry","category-events-and-masterclass-2020","tag-2020-en","tag-riff-awards-en"],"acf":[],"yoast_head":"\n