{"id":24416,"date":"2017-11-09T16:21:24","date_gmt":"2017-11-09T15:21:24","guid":{"rendered":"https:\/\/riff.nagencyserver.it\/ita-riff-awards-2017-announced-the-international-documentaries-in-competition\/"},"modified":"2020-10-23T16:21:52","modified_gmt":"2020-10-23T14:21:52","slug":"ita-riff-awards-2017-announced-the-international-documentaries-in-competition","status":"publish","type":"post","link":"https:\/\/riff.it\/en\/ita-riff-awards-2017-announced-the-international-documentaries-in-competition\/","title":{"rendered":"(ITA) RIFF Awards 2017 \u2013 Announced the international documentaries in competition"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Se, da una parte, la realt\u00e0 contemporanea \u00e8 caratterizzata dall\u2019evoluzione tecnologica e dal cambiamento sociale di cui tutti parlano, dall\u2019altra continuano ad esistere e a sussistere realt\u00e0 precarie tangibili e determinanti a cui c\u2019\u00e8 bisogno di dare voce. <i>Die Neue Nationalgalerie<\/i> di Ina Weisse (Germania), narra la storia della ricostruzione della Galleria Nazionale di Berlino in seguito agli avvenimenti della Seconda Guerra Mondiale, soffermandosi sul lavoro dell\u2019architetto modernista Mies van der Rohe, <i>Drifting towards the crescent<\/i> di Laura A. Stewart (Olanda), che ha partecipato a diversi festival internazionali importanti, tra cui quelli di Rotterdam e Chicago, si sofferma sulle conseguenze dell\u2019inquinamento del fiume Mississipi. Si prosegue con <i>La fiebre del oro<\/i> di Raul De la fuente (Spagna), al suo quarto documentario, che narra le vicende dei minatori del Mozambico e dell\u2019inesistente prevenzione sul loro posto di lavoro, cos\u00ec come accade nella comunit\u00e0 africana narrata in <i>Owino<\/i> da Javier Marino e Yussuf Razzaque (Spagna) che da anni lotta contro i crimini ambientali delle grandi imprese. <i>Post truth time<\/i> di H\u00e9ctor Carr\u00e9 (Spagna), selezionata al Raindance Film Festival, mediante alcune interviste a gente del settore, indaga sul debole rapporto tra la societ\u00e0 e i media nell\u2019era contemporanea. Natalia Gugueva, per la seconda volta dietro la macchina da presa, con il suo<i> Who is Kusturica <\/i>(Russia), mette in scena la storia di un musicista diventato regista per puro caso, girando le proprie opere tra un concerto all\u2019altro.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many names and titles, but all in common an intriguing need to exalt figures that have remained for years in the shadows, sentiments and denounce<\/p>\n","protected":false},"author":1,"featured_media":24414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[161],"tags":[],"class_list":["post-24416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>(ITA) RIFF Awards 2017 \u2013 Announced the international documentaries in competition - 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