{"id":24086,"date":"2018-11-20T16:34:22","date_gmt":"2018-11-20T15:34:22","guid":{"rendered":"https:\/\/riff.nagencyserver.it\/giovedi-22-attesa-la-masterclas-visual-effects-con-bruno-albi-marin-da-non-perdere-il-country-focus-albania-con-ospite-il-direttore-agron-domi-e-joni-shanaj\/"},"modified":"2020-10-22T17:03:28","modified_gmt":"2020-10-22T15:03:28","slug":"thursday-22nd-waiting-for-the-visual-effects-masterclas-with-bruno-albi-marin-do-not-miss-the-country-focus-albania-with-guest-director-agron-domi-and-joni-shanaj","status":"publish","type":"post","link":"https:\/\/riff.it\/en\/thursday-22nd-waiting-for-the-visual-effects-masterclas-with-bruno-albi-marin-do-not-miss-the-country-focus-albania-with-guest-director-agron-domi-and-joni-shanaj\/","title":{"rendered":"Thursday 22nd waiting for the \u201cVisual Effects\u201d Masterclas with Bruno Albi Marin. Do not miss the Country Focus Albania with guest director Agron Domi and Joni Shanaj."},"content":{"rendered":"

Thursday, November 22 <\/span><\/span><\/strong> starts with the feature film competition at 4.20 pm with <\/span><\/span>Scarlett’s<\/span><\/span><\/em><\/strong> debut feature  <\/span> by  <\/span><\/span>Luigi Boccia<\/span><\/span><\/strong> (Italy, 2018) based on his novel  <\/span><\/span>The Passenger<\/span><\/span><\/em> . <\/span>Giulia is a successful writer who decides to leave her job and leave to solve a personal matter that is very close to her heart. <\/span>During the long journey in the car a singular fact happens. <\/span>Has the car really taken control of Giulia’s actions, or is the young woman a victim of her own madness?<\/span><\/span> At 4.30pm, the short films one after another:  <\/span><\/span>Chicomadre <\/span><\/span><\/em><\/strong> by Lavi Vanounou (Israel, 2018),  <\/span><\/span>Eternal Recurrence of a Deep Sleep<\/span><\/span><\/em><\/strong>  by Mohammad Moravej (Iran, 2018),  <\/span><\/span>Fauve<\/span><\/span><\/em><\/strong>  by Jeremy Comte (Canada, 2018) and  <\/span><\/span>Portrait of Eve<\/span><\/span><\/em><\/strong> of Klim Tukaev (Russian Federation, 2018).<\/span><\/span> At 18.00 space at the last Masterclass of the Roman kermesse:  <\/span><\/span>Visual Effects: From the “Inevitable Evil” to the Creation of Images<\/span><\/span><\/em><\/strong> , or the VFX analyzed together with the expert <\/span><\/span>Bruno Albi Marini<\/span><\/span><\/strong> .<\/span><\/span> At 18.00 in the presence of the director in the room continues the cinema of the real in competition with <\/span><\/span>La bataille d’Alger <\/span><\/span><\/em><\/strong> a film dans l’histoire<\/span><\/span><\/em><\/strong>  by  <\/span><\/span>Malek Bensmail<\/span><\/span><\/strong>   (Algeria \/ France \/ Switzerland). <\/span>In 1965, three years after the independence of Algeria, Gillo Pontecorvo began shooting a film that reconstructed the events of the Battle of Algiers (1957). <\/span>The black and white film realized in a film-style style won the golden lion in 1966 at the Venice Film Festival. <\/span>It was banned in French cinemas until 1971. As Algiers is the main refuge of all anti-colonial fighters, young Algerians identify with the legendary hero of the film, Ali la Pointe. <\/span>In the 1970s, for viewers around the world, the film became the mirror of an epic.<\/span><\/span> At 20.10 <\/span><\/span>Decembers<\/span><\/span><\/em><\/strong> will be screened  <\/span> by  <\/span><\/span>Enrique Castro Rios<\/span><\/span><\/strong>  (Panama \/ Colombia, 2018) revolving around the American invasion of Panama in 1989 and reconciliation between the survivors a decade later, anticipated by the short <\/span><\/span>Free Fall<\/span><\/span><\/em><\/strong>  by  <\/span><\/span>Santiago Henao Velez<\/span><\/span><\/strong>  (Colombia, 2018 ).<\/span><\/span> A similar match starting at 10.10 pm, with the directors present in the hall:  <\/span><\/span>Arada <\/span><\/span><\/em><\/strong> by <\/span><\/span>Mu Tunc<\/span><\/span><\/strong> (Turkey, 2018). <\/span>During the troubles of the 1990s in Turkey, a young punk rocker from Istanbul finds a ticket to a ship bound for California on the night of his birthday. <\/span>A film based on the personal story of the director, born in a family of musicians, anticipated by the Italian short  <\/span><\/span>Anna <\/span><\/span><\/em><\/strong> by  <\/span><\/span>Federica D’Ignoti<\/span><\/span><\/strong>  (2018).<\/span><\/span> Attendance at 20.20 the <\/span><\/span>Country Focus Albania<\/span><\/span><\/em><\/strong> in the presence of <\/span><\/span>Agron Domi<\/span><\/span><\/strong> , director and founder of the Tirana International Film Festival also sworn of this edition, and of  <\/span><\/span>Joni Shanaj<\/span><\/span><\/strong> , director of the film <\/span><\/span>Pharmakon<\/span><\/span><\/em> (Albania, 2013). <\/span>For the occasion, <\/span><\/span>Pharmacon<\/span><\/span><\/em><\/strong> will be screened  <\/span> and followed at 23.00  <\/span><\/span>Atila <\/span><\/span><\/em><\/strong> by  <\/span><\/span>Benart Laze<\/span><\/span><\/strong> (Albania, 2018), and the short <\/span><\/span>Heaven Has Been Fooled<\/span><\/span><\/em><\/strong>  by  <\/span><\/span>Odeta Cunaj<\/span><\/span><\/strong>  (Albania, 2017).<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Alle 18.00 alla presenza del regista continua il cinema del reale con “La bataille d’Alger, un film dans l’histoire” di Malek Bensmail<\/p>\n","protected":false},"author":1,"featured_media":24119,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[161],"tags":[],"class_list":["post-24086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\nThursday 22nd waiting for the \u201cVisual Effects\u201d Masterclas with Bruno Albi Marin. 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