{"id":43641,"date":"2023-09-30T17:48:32","date_gmt":"2023-09-30T15:48:32","guid":{"rendered":"https:\/\/riff.it\/?page_id=43641"},"modified":"2023-09-30T17:48:50","modified_gmt":"2023-09-30T15:48:50","slug":"the-jury-2022","status":"publish","type":"page","link":"https:\/\/riff.it\/en\/the-festival\/past-editions\/the-jury-2022\/","title":{"rendered":"The Jury 2022"},"content":{"rendered":"\t\t
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JURY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThis year, RIFF pays tribute to its spectators introducing the Audience Award. The audience, the recipient par excellence and essential pillar of the cinema, will judge the films in competition. Spectators will be called directly to express their opinion on a special sheet of paper delivered at the beginning of the film. The vote will affect the sections of\u00a0 Internationals Short Film. The initiative aims to make the experience in the room more interactive and engaging, allowing the authors to receive direct and immediate feedback.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tFederico graduated in Scenography at the Florence Academy of Fine Arts, and later in 2005 in Film Photography at CSC – the Experimental Centre of Cinematography in Rome with the Master Giuseppe Rotunno ASC \u2013 AIC.\r\n\r\nHe collaborated with Francesco Amato<\/strong> in \u201cMa che ci faccio qui\u201d<\/em>, and in \u201cCosimo e Nicole\u201d<\/em>. He also collaborated with Marco Bocci<\/strong> in \u201cA Tor Bella Monaca non piove mai\u201d<\/em> and in \u201cLa Caccia\u201d<\/em>; with Fausto Brizzi<\/strong> in \u201cBla Bla Baby\u201d<\/em> and \u201cDa Grandi\u201d<\/em>; with Roan Johnson<\/strong> in \u201cMonterossi\u201d<\/em> and \u201cI Delitti del Barlume 9\u201d<\/em>; with Paolo Sassanelli<\/strong> in \u201cDue piccoli Italiani\u201d<\/em>; with Cosimo Terlizzi<\/strong> in \u201cDei\u201d<\/em>; with Alessandro Giglio<\/strong> in \u201cBlack Phartenope\u201d<\/em>; with Piero Messina<\/strong>, Ciro D\u2019Emilio<\/strong>, and Stefano Lorenzi<\/strong> in \u201cL\u2019ora – Inchiostro contro piombo\u201d<\/em>. He edited the video photography for Music Video for many artists such as Fedez<\/strong>, Carmen Consoli<\/strong>, Litfiba<\/strong>, Rovazzi<\/strong>, Elodie<\/strong>, Giusy Ferreri<\/strong>, Baby K<\/strong>, Noyz Narcos<\/strong>, Cesare Cremonini<\/strong>, Max Pezzali<\/strong>, Clementino<\/strong>, Niccol\u00f2 Fabi <\/strong>and more.\r\n\r\nMoreover, he edited the video photography for many documentaries such as \u201cPaolo Conte \u2013 Via con me\u201d<\/em> by Giorgio Verdelli<\/strong>, \u201cAlida\u201d<\/em> and \u201cSciusci\u00e0 70\u201d<\/em> by Mimmo Verdesca<\/strong>, \u201cSull\u2019orlo della gloria\u201d<\/em> and \u201cTransatlantico REX \u2013 nave 296\u201d<\/em> by\u00a0 Maurizio Sciarra<\/strong>, and \u201cDiec\u201d<\/em> by Thomas Turolo<\/strong>.\r\n\r\nIn 2014 he presents \u201cIntime\/offtime\u201d<\/em> at the Academy of Hungary in Rome: a personal photo exhibition in black and white which encompasses 20 years of work.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Federico Annicchiarico<\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Adriana Bruno <\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tAdriana is a producer, line producer, and manager of the film production company Noeltan.\r\n\r\nShe has been handling production, development, distribution, and film promotion for over 15 years. Her inclination \u2013 which is essential to her career –\u00a0 focuses on border movies that describe territories and realities. Over the years, she has worked and collaborated with national and international renowned artists of the Cinema del Reale<\/em> such as Michelangelo Frammartino<\/strong>, Babak Payami<\/strong>, Artur Aristakisyan<\/strong>, and more.\r\n\r\nShe artistically conceived and produced the futuristic project MaTerre VR Experience<\/em>, Cinema Futuro Remoto<\/em> for Rete Basilicata \u2013 of which she is also Vice-President – and for the Foundation Matera Basilicata 2019. It is a five episodes collective movie in 360-degree virtual reality which became one of the most innovative projects of Matera European Capital of Culture 2019.\r\n\r\nSince 2021 she has been the organizational director of Potenza Film Festival and member of the Executive of Doc\/it \u2013 Italian Assosiation of Documentarists.\r\n\r\n \t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tDomenico was born in 1967 in Scordia in the province of Catania. He is usually selected for his character actor abilities and also renowned for playing Vito in \u201cI cento passi\u201d<\/em>. Besides he played a role in \u201cLa meglio giovent\u00f9\u201d <\/em>and in the mini-series \u201cIl capo dei capi\u201d<\/em> where he performs Giovanni Brusca.\r\n\r\nIn 2008 he performs Balduccio Di Maggio in \u201cIl divo\u201d<\/em> by Paolo Sorrentino<\/strong>, and in 2013 Leoluca Bagarella in \u201cLa mafia uccide solo d\u2019estate\u201d <\/em>by Pif<\/strong>, getting in the top-five for the David of Donatello as performer of the original song \u201cTosami Lady\u201d: a dialectal performance of \u201cEasy Lady\u201d by Ivana Spagna, which is the end credits of the film.\r\nIn\u00a0 2021 he performs Piccionello in the TV series \u201cM\u00e0kari\u201d<\/em>, based on Gaetano Savatteri\u2019s novel, getting back into acting with Claudio Gio\u00e8<\/strong>, with whom he had already collaborated in several movies and fiction like \u201cIl capo dei capi\u201d<\/em>.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Domenico Centamore<\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Lorenzo Gioielli<\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tLorenzo was born in Rome in 1961 and in the early \u201880s he studies at Bottega Teatrale, the theatre school of Florence managed by Vittorio Gassman and Giorgio Albertazzi.\r\n\r\nHe worked for the theatre, cinema and television, in more than 50 pieces, playing for many directors. Among them Nanni Moretti<\/strong>, Paolo Virz\u00ec<\/strong>, Paolo Sorrentino<\/strong>, Daniele Vicari<\/strong>, Matteo Rovere<\/strong>, Sidney Sibilia<\/strong>. Marco Tullio Giordana<\/strong>, Marco Bellocchio<\/strong>, Lucio Pellegrini<\/strong>, and Terrence Malick<\/strong>. Besides, he is a theatre director: his latest work is \u201cLa notte poco prima delle foreste\u201d<\/em> by Koltes<\/strong> and starred by Pierfrancesco Favino<\/strong>.\r\n\r\nIn 2004 he won the Gran Giallo Citt\u00e0 di Cattolica Award with the story \u201cMatteo 19, 14. Lasciate che i bambini vengano a me\u201d<\/em>. His literary debut is in 2022 with \u201cLettere agli amanti\u201d<\/em> edited by Giulio Perrone Editore<\/strong>. He is currently the art director of the Academy Stap Brancaccio, school of acting, dramaturgy and directing, managed by Teatro Brancaccio and the Brancaccio Musical Academy.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tAfter his studies of acting, dance and singing, in 1992 he graduated at the Theatre School of the National Institute of Ancient Drama of Syracuse managed by Giusto Monaco.\r\nHe has been working mainly for the theatre, for example in \u201cEdipo re\u201d<\/em> directed by Giancarlo Sepe<\/strong>, \u201cL\u2019agnello del povero\u201d<\/em> by Franco Per\u00f2<\/strong>, and \u201cAntigone\u201d<\/em> by Patrice Kerbradt<\/strong>.\r\nIn the Greek Theatre of Syracuse he played the role of Corifec in \u201cIl Ciclope\u201d<\/em> by Giancarlo Sammartano<\/strong> and later, in 2005, he appeared on television with a minor role in the TV series \u201cIl Commissario Montalbano\u201d <\/em>directed by Alberto Sironi<\/strong>.\r\nFrom 2004 to 2008, year in which he performs and directs \u201cLe mille bolle blu\u201d <\/em>written by Salvatore Rizzo<\/strong>, Filippo collaborated with Vincenzo Pirrotta<\/strong> in \u201cU Ciclopu\u201d<\/em>, \u201cLa sagra del signore della nave\u201d<\/em>, \u201cFilottete\u201d<\/em> and \u201cLa ballata delle ballate\u201d<\/em>. Furthermore, his performance in \u201cLe mille bolle blu\u201d<\/em>, in 2010 will be worth, among others, the Theatre Critics\u2019 Award. The performace went on stage at the Palermo Teatro Festival in 2009 Edition of Taormina Arte and at the Orestiadi of Gibellina.\r\nIn 2013 he made his debut in dance theatre performing Don Jos\u00e9 in \u201cCarmen Duo\u201d<\/em> by Giovanna Velardi<\/strong>. He also made his screen debut in 2006 performing Don Ercole in \u201cNuovomondo\u201d<\/em> by Emanuele Crialese<\/strong>, and more collaborations will follow with him and with different directors such as Andrea Porporati<\/strong>, Roberto And\u00f2<\/strong>, Pasquale Scimenca<\/strong>, and Sabina Guzzanti<\/strong>.\r\nIn 2012 he was chosen by the sicilian directorial duo Fabio Grassadonia<\/strong> and Antonio Piazza<\/strong> in their first film \u201cSalvo\u201d<\/em> and, in 2016 he worked in the film \u201cSicilian Ghost Story\u201d,<\/em> mainly handling the training of the youngest actors.\r\n\u201cLa fille du regiment\u201d,<\/em> directed by Filippo Crivelli<\/strong>, is one of his latest stage works, and was produced by Teatro Massimo of Palermo and by Teatro alla Scala of Milan. Here he perfoms en travesti<\/em> the role of the Duchess Krachentrorp.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Filippo Luna<\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ilaria Zazzaro<\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tIlaria is the Supervising Producer of the Apartment Productions and is involved in many projects for responsability in research and for management of financial resources roles, mainly for international co-productions.\r\nShe had been the Executive Producer of Lotus Productions for 5 years, engaged in various projects such as \u201cA casa tutti bene\u201d<\/em> and \u201cGli anni pi\u00f9 belli\u201d<\/em> by Gabriele Muccino<\/strong>, \u201cSupereroi\u201d<\/em> and \u201cThe Place\u201d<\/em> by Paolo Genovese<\/strong>, and \u201cPer tutta la vita\u201d<\/em> by Paolo Costella<\/strong>.\r\nShe has been working for the film industry for over 20 years and masters an in-depth knowledge in all fields of film production, from how a set is organized to the institutional relations with broadcasters, platforms and OTT.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tNadia was born in 1981 in Kiev, Ucraina. She is a film critic and journalist, member of FIPRESCI, screenwriter, interpreter, and she is also a professor of cinema at the university. She had coordinated for many years the schedule for the Kiev IFF Molodist and for the IFF Contact. In 2021 she got her PhD Degree at the Sapienza University of Rome.\r\nShe finds her inspiration in Alfred Hitchcock\u2019s and Billy Wilder\u2019s movies, in tap dance, frothed coffee, football, travels, and her dog named Julie Andrews.\r\nShe believes that studying cinema is a great pleasure and teach it is a true joy.\r\n\r\nHer favourite quote is: \u201cNobody\u2019s perfect\u201d.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"\"<\/figure>

Nadia Zavarova<\/h4><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

JURY This year, RIFF pays tribute to its spectators introducing the Audience Award. The audience, the recipient par excellence and essential pillar of the cinema, will judge the films in competition. 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